• Skip to primary navigation
  • Skip to main content

Harvard Journal of Sports and Entertainment Law

  • About Us
    • JSEL Leadership
    • Contact
  • Print Edition
    • Previous Editions
    • Submissions
  • Online Content
    • Career Spotlights
    • Highlights
    • Sponsor Articles
    • Commentary
  • Special Issues
    • Special Issue 2020: Name, Image, and Likeness
    • Special Issue Fall 2021 – NCAA v. Alston
  • Events
    • Symposium

Future of Music Policy Summit

hlsjrnldev · October 28, 2014 · Leave a Comment

According to Greg Kot of the Chicago Tribune, The 14th annual Future of Music Policy Summit commenced on Monday. Among the topics discussed, was the role of copyright in the music industry. Copyright law has not been updated to reflect the rise in technology, and while Congress has begun to amend the current legal regime, it will take many years before significant changes are made. Thus, as touring becomes the main source of income for musical artists, how are lesser known artists to make a profit on their creations? One suggestion is the creation of a global data base of recordings. This puts the burden on the musical creators to register their works–to be more involved in their business affairs. Yet it is unclear, if there is one business model that will  best serve the music community. As technology advances, these models need to be continually updated; innovation in this field will keep the industry profitable. Hopefully the conference will establish a baseline to begin reformation in these structures.

Filed Under: Highlight Tagged With: copyright, music

Reader Interactions

Leave a Reply

You must be logged in to post a comment.

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Contact Us

Journal of Sports and Entertainment Law: jsel@mail.law.harvard.edu

Committee on Sports and Entertainment Law: csel@mail.law.harvard.edu

Copyright © 2023 · Daily Dish Pro on Genesis Framework · WordPress · Log in